Jimmy Stewart is perfect as Jefferson Smith, whose chief qualification is that he is hopelessly unsophisticated, a man who spends all his time mentoring a troop of young 'rangers.' But this rube is neither stupid nor lacking in courage.
Smith first convinces the cynical woman (Jean Arthur) charged with looking after him of his virtue and his keen sense. And then, after unintentionally creating trouble by proposing a national boys' camp on the precise site that the 'machine' hopes to use for its pork barrel project, he defends himself against false charges in a filibuster that goes on for many hours and leaves him barely able to speak or stand. Crucial in Smith's p assage from irrelavance through disgrace to vindication is the part played by Senator Joseph Paine (Claude Rains). As opposed to the crudely venal political boss Jim Taylor (Edward Arnold), Paine is a man who believes in the American system but who has been seduced by a politics of compromise and deal making. Smith can only be rescued by Paine's conversion.
Smith's deliverance is also made possible by the peculiarly American institution of tthe filibustter, which permits the individual-symbolically enough, not the group-unlimited free speech according to established rules. Smith can thereby exert a power against the group that would condemn him insuring his vindication.
An imprressive bit of Americana, Capra's film is ful of memorable moments, the most moving of which is the montage sequence tracing the newly arrived senator's tour of Washington monuments, including the Lincoln memorial.
Wednesday, 4 March 2009
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